Printmaking Competition 2024
268 artworks
Cave of Wonders by Corbett Ink
Cave of Wonders by Corbett Ink
1 / 268
By Corbett Ink
Ink
h: 42 w: 30 d: 2 (cms).
This solar plate etching was made from a series of photos taken mid 2023.These works contain images of derelict Williamsons Power Station in Lancaster. Most recently occupied by SupaSkips, the company had their licence revoked for not complying with regulations and left abandoning 13,000 tonnes of waste, an indoor landfill. In December 2023 it caught alight and burned for over two weeks costing Lancaster County Council £900,000 to extinguish. The building has now been condemned and is structurally unsafe due to be demolished, once someone can be found to pay for it. This image shows the image of the very top of the landfill site, someone had added these slabs to create access to the top of the pile giving the view a very surreal feeling.
£175
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Exit by Corbett Ink
Exit by Corbett Ink
2 / 268
By Corbett Ink
Ink
h: 30 w: 21 d: 2 (cms).
This solar plate etching was made from a series of photos taken mid 2023.These works contain images of derelict Williamsons Power Station in Lancaster. Most recently occupied by SupaSkips, the company had their licence revoked for not complying with regulations and left abandoning 13,000 tonnes of waste, an indoor landfill. In December 2023 it caught alight and burned for over two weeks costing Lancaster County Council £900,000 to extinguish. The building has now been condemned and is structurally unsafe due to be demolished, once someone can be found to pay for it. This view shows the way out from the first floor balcony - you can see the smashed office windows to the side, I loved the way the light fell in this image.
£125
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Broken Windows by Corbett Ink
Broken Windows by Corbett Ink
3 / 268
By Corbett Ink
Ink
h: 23 w: 42 d: 2 (cms).
This solar plate etching was made from a series of photos taken mid 2023.These works contain images of derelict Williamsons Power Station in Lancaster. Most recently occupied by SupaSkips, the company had their licence revoked for not complying with regulations and left abandoning 13,000 tonnes of waste, an indoor landfill. In December 2023 it caught alight and burned for over two weeks costing Lancaster County Council £900,000 to extinguish. The building has now been condemned and is structurally unsafe due to be demolished, once someone can be found to pay for it. This view shows the office windows, each one smashed with the warehouse floor behind, this part of the building was used to house the clean or recyclable waste.
£175
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Honister Passs, December by laura boswell
Honister Passs, December by laura boswell
4 / 268
By laura boswell
redutction linocut
h: 51 w: 34 d: 1 (cms).
£485
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Malmesbury and Beyond by phillip kingsbury
Malmesbury and Beyond by phillip kingsbury
5 / 268
By phillip kingsbury
Lino print
h: 30 w: 42 d: 1 (cms).
I make linocuts, I often make prints of views in and aound my home town of Malmesbury. The piece I would like to submit is an Ariel view map of some of North Wiltshire. It features Malmesbury in the centre and some of the surrounding towns and villages. The linocut measure 42cm x 30cm and is printed using Caligo ink on Canaletto 300gsm.
£92
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Beneath the surface by Gemma Dunn
Beneath the surface by Gemma Dunn
6 / 268
By Gemma Dunn
Hand printed Linocut
h: 70 w: 50 d: 1 (cms).
To be in the woods is healing. Alone with the quiet, the trees, the sticks, the moss and the lichen underfoot. Free to breathe and wander; to contemplate what lies beneath the surface. Linocut 40x56cm hand printed on 300gsm hot pressed watercolour paper.
£300
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“UNTITLED“ by Lívia Kožušková ArtD.
“UNTITLED“ by Lívia Kožušková ArtD.
7 / 268
By Lívia Kožušková ArtD.
Etching technique with drawing
h: 70 w: 50 d: 2 (cms).
Untitled printmakings are the part of the series of Printmakings in dedication to the book with the name: Doe looking at Polar, author famous Slovakian Poetry writer Mila Haugová. Base of the book design are the printmakings which are shown also in the book and separately as artpieces.
£1100
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Warmed Through by Simon Conti
Warmed Through by Simon Conti
8 / 268
By Simon Conti
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Temple of the Four Winds (Castle Howard, Yorkshire) by Zack Moir BA MMus PhD PGCAP PFHEA
Temple of the Four Winds (Castle Howard, Yorkshire) by Zack Moir BA MMus PhD PGCAP PFHEA
9 / 268
By Zack Moir BA MMus PhD PGCAP PFHEA
Linocut on Japanese Rice Paper
h: 45 w: 65 d: 1 (cms).
£200
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Backstage by sophie lewisohn
Backstage by sophie lewisohn
10 / 268
By sophie lewisohn
linocut
h: 42 w: 30 d: 1 (cms).
£250
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The Cracked Boulder - Mynydd y Dref by Andy Abram
The Cracked Boulder - Mynydd y Dref by Andy Abram
11 / 268
By Andy Abram
Caligo Safewash inks on Somerset Paper
h: 38 w: 50 d: 1 (cms).
The Cracked Boulder - Mynydd y Dref is a limited edition, five colour, reduction linocut print. The stone depicted is a large cracked glacial boulder on Mynydd y Dref (Conwy Mountain). It lies on the path between the Sychnant Pass and Conwy. Just above, at the summit is the iron age hill fort Castell Caer Seion.
£195
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St Michaels, Penbryn by Andy Abram
St Michaels, Penbryn by Andy Abram
12 / 268
By Andy Abram
Ironbridge Fine Arts Intaglio ink on Somerset Satin paper
h: 38 w: 27 d: 1 (cms).
St Michaels, Penbryn is a photopolymer etching print of an ancient church in Ceredigion, West Wales.
£110
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Waterside View by kelly burgess BA (Hons), BSc (hons)
Waterside View by kelly burgess BA (Hons), BSc (hons)
13 / 268
By kelly burgess BA (Hons), BSc (hons)
Lino
h: 42 w: 30 d: 1 (cms).
Kelly Burgess is a Printmaker who lives in Essex. Since completing a Degree in Fine Arts in Sydney, Australia in 2003, she has gained more than 20 years experience as a Printmaker. She has exhibited in the London Affordable Art Fair, New England Regional Art Museum, Kudos Gallery, AWOL Gallery and Under the Rainbow. Kelly is a versatile Printmaker, her style ranges from minimalist contemporary artwork to more detailed traditional prints. Kelly’s artwork usually relates to her travels or interests, for example; the Chinese lanterns “Illuminate” were a photograph taken whilst travelling through China and the “Waterside View” from UK travels.
£350
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Curled Octopus by Steph Renshaw Printmaker
Curled Octopus by Steph Renshaw Printmaker
14 / 268
By Steph Renshaw Printmaker
h: 33 w: 44 d: 1 (cms).
Part of my series celebrating UK sealife.
£226
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Courtyard, Seville by louise wiseman
Courtyard, Seville by louise wiseman
15 / 268
By louise wiseman
Solar plate etching
h: 30 w: 20 d: 1 (cms).
£185
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Redcar Double ender by Ian Burke MA
Redcar Double ender by Ian Burke MA
16 / 268
By Ian Burke MA
Woodblock and jigsaw print
h: 35 w: 27 d: 1 (cms).
Woodblock on Japanese paper
£175
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Duo by Ian Burke MA
Duo by Ian Burke MA
17 / 268
By Ian Burke MA
Woodblock key block and jigsaw print.
h: 30 w: 45 d: 1 (cms).
£175
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James Baldwin by scott lee freeland
James Baldwin by scott lee freeland
18 / 268
By scott lee freeland
CMYK
h: 56 w: 38 d: 1 (cms).
This artwork is part of a series 'Don't Judge Me'. A rejection of celebrity culture and a reminder of how easily the media and structures of power can control our perception of events and individuals at any given time. Those represented only offer a snapshot of the many that have been unjustly forgotten, judged, cancelled or denied credit for their past endeavours, while frivolous celebrity, fake idols and sensationalism distracts from the void of many listless, unfulfilled human lives. The use of the half-tone dot is in part homage to Hannah Höch, who used that same technology to make social comment in a society that would eventually demonstrate the very worst aspects of human nature. My initial digital illustrations undergo a digital corruption process created through malfunctioning inkjet printers to produce, unplanned, random faults that help to convey how time, technology and human interpretation can change an original image or narrative. Within the structure of my screenprints, the shapes of places that have significant relevance to the protagonist can sometimes be found, hidden within plain sight. The sense of memory is then mapped within the final image and provides a means of authentication.
£350
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Apple, Pear, Apricot, Plum by ruth greenwood
Apple, Pear, Apricot, Plum by ruth greenwood
19 / 268
By ruth greenwood
Etching and Aquatint on Steel printed on Etching paper
h: 39 w: 29 d: 1 (cms).
Still Life study of Fruit. Etching and Aquatint hand inked onto the plate, a la poupee, hand pulled on a rochat printing press
£180
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Tools I by clare o hagan
Tools I by clare o hagan
20 / 268
By clare o hagan
Oli based inks on fabriano paper
h: 36 w: 20 d: 1 (cms).
Hanging arrangement of builder's hand tools. Joining this arrangement of hand tools are objects that provides a clue to the builder's love of birds and the sea – a swallow and a dolphin. The tools are numerous, of different age, with some of them unique hand made. The holding device is a simple length of wood, drilled with holes, with nails in the front to accommodate different tool shapes and sizes.
£345
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Tools VI by clare o hagan
Tools VI by clare o hagan
21 / 268
By clare o hagan
Oli based inks on fabriano paper
h: 20 w: 60 d: 1 (cms).
Arrangement of gardener's mechanical tools and equipment. Heavy duty power tools for the gardener feature in this whimsical arrangement, where figures are suggested. The tools belong to a woman who has a large garden and loves her toys.
£370
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Shoreline Habits II by Portia Knight
Shoreline Habits II by Portia Knight
22 / 268
By Portia Knight
Blind Emboss
h: 51 w: 37 d: 1 (cms).
Made with 35 Himanthalia elongata ‘buttons’, gathered as drift (not harvested), along the tideline over a period of two years. Each seaweed button has been foraged, pressed and dried, before printing without ink to create a unique, sculptural impression in the paper. The composition is inspired by a Victorian pressed seaweed album I viewed at the Aberdeen Art Gallery Treasure Hub. My aim is to subvert the reputation of seaweed as slimy and smelly, by producing a piece that is by contrast, clean, sharp and deceptively simple.
£295
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Matlock Bath from the Derwent by Lottie Adams BA
Matlock Bath from the Derwent by Lottie Adams BA
23 / 268
By Lottie Adams BA
Caligo wash safe relief ink on Fabriano 100% cotton paper
h: 40 w: 56 d: 1 (cms).
£1000
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Axial by anna francis
Axial by anna francis
24 / 268
By anna francis
Drypoint chine colle
h: 38 w: 25 d: 1 (cms).
Axial, like bones (The human skeleton, comprising of the spine, chest and head). Primarily a study of a dried Bupleurum flower. This is then mirrored and hand-etched on to an acrylic plate. 300gsm Somerset printmaking paper, Japanese Gampi paper and Intaglio sepia ink.
£195
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Ethereal by anna francis
Ethereal by anna francis
25 / 268
By anna francis
Drypoint chine colle
h: 33 w: 25 d: 1 (cms).
Primarily a pencil study of a dried Portuguese squill flower. It is then mirrored and hand etched on to an acrylic plate. 300gsm Somerset printmaking paper, Japanese Gampi paper and Intaglio sepia ink.
£220
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Allium by anna francis
Allium by anna francis
26 / 268
By anna francis
Drypoint chine colle
h: 33 w: 26 d: 1 (cms).
Primarily a pencil study of a dried Allium seed head. The drawing is then mirrored and hand-etched on to an acrylic plate. 300gsm Somerset printmaking paper, Japanese Gampi chine colle paper and Intaglio sepia ink.
£195
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Wither by anna francis
Wither by anna francis
27 / 268
By anna francis
Drypoint chine colle
h: 33 w: 25 d: 1 (cms).
Primarily two separate pencil drawings of a dead orchid. The drawing is then mirrored and hand-etched on to two separate acrylic plates (the back layer is a ghost print from the first plate). Somerset printmaking paper and sepia intaglio ink
£195
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Spiralling by sian moulder BSc(Hons)
Spiralling by sian moulder BSc(Hons)
28 / 268
By sian moulder BSc(Hons)
Linocut, relief ink and paper
h: 58 w: 56 d: 1 (cms).
This piece is a mixed media artwork comprising 2 large Linocut works, hand burnished and then overlaid with collage of hand painted mulberry paper grasses, watercolour accents and gold leaf embellishment. “I wanted my piece to symbolise the fragile nature of these beautiful ancient mammals by contrasting the curled pangolin in the spiral of a fossilised ammonite. Thus portraying the delicate thread between the pangolins future existence vs it spiralling towards extinction.”
£650
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Green Haven by Layla Khani (AKA Laylart Studio) Ba(Hons) MA
Green Haven by Layla Khani (AKA Laylart Studio) Ba(Hons) MA
29 / 268
By Layla Khani (AKA Laylart Studio) Ba(Hons) MA
Reduction Linocut Print
h: 30 w: 30 d: 1 (cms).
£320
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Landlines 3 by sarah du feu
Landlines 3 by sarah du feu
30 / 268
By sarah du feu
Etching and Mono Print
h: 25 w: 30 d: 1 (cms).
A double layered print with a mono print base base and an etching on top
£400
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Landlines 6 by sarah du feu
Landlines 6 by sarah du feu
31 / 268
By sarah du feu
Etching and Mono Print
h: 25 w: 30 d: 1 (cms).
£400
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Nature's Breath IV by jeannelise edelsten
Nature's Breath IV by jeannelise edelsten
32 / 268
By jeannelise edelsten
Photoetching with intaglio, roller and gilding on Somerset watercolour paper
h: 64 w: 54 d: 1 (cms).
£400
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Southerness Lighthouse, Scotland by julia baines BA(Hons) & PGDiploma
Southerness Lighthouse, Scotland by julia baines BA(Hons) & PGDiploma
33 / 268
By julia baines BA(Hons) & PGDiploma
Screen print
h: 50 w: 20 d: 1 (cms).
The wonders of the north has an amazing amount of inspiration to work from. Buildings and landmarks have a fascination for my art, allowing me to show the beauty of the area. I used to screen print at school, in my younger years a long time ago, using paper templates, and recently having attended a screen printing course with Ellie from Ironbridge Fineart has opened up the love of printing in this way.
£350.00
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Emily Bronte: looking for Heathcliff by maria buttuller BA(Hons)
Emily Bronte: looking for Heathcliff by maria buttuller BA(Hons)
34 / 268
By maria buttuller BA(Hons)
drypoint plastic plate, Cranfield safe wash ink on Hereford printmaking paper
h: 15 w: 22 d: 1 (cms).
Dry point etching of the Bronte Parsonage, Haworth
£210
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Evening Wood by glenda hammond
Evening Wood by glenda hammond
35 / 268
By glenda hammond
Etching and aquatint
h: 47 w: 62 d: 1 (cms).
£470
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BLUES NEW COAT by lindy norton BA hons, MA
BLUES NEW COAT by lindy norton BA hons, MA
36 / 268
By lindy norton BA hons, MA
Aquatint Etching
h: 20 w: 20 d: 1 (cms).
This is a hand coloured aquatint etching
£495
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DISTRACTION by lindy norton BA hons, MA
DISTRACTION by lindy norton BA hons, MA
37 / 268
By lindy norton BA hons, MA
Aquatint Etching
h: 10 w: 30 d: 1 (cms).
£440
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THE OLD SCHOOLROOM by lindy norton BA hons, MA
THE OLD SCHOOLROOM by lindy norton BA hons, MA
38 / 268
By lindy norton BA hons, MA
Sugarlift and Aquatint Etching
h: 29 w: 44 d: 1 (cms).
£520
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MARKS ROOM by lindy norton BA hons, MA
MARKS ROOM by lindy norton BA hons, MA
39 / 268
By lindy norton BA hons, MA
DRYPOINT ETCHING
h: 30 w: 28 d: 1 (cms).
£450
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Hen keeper's hand book by frans wesselman
Hen keeper's hand book by frans wesselman
40 / 268
By frans wesselman
Lino
h: 42 w: 49 d: 1 (cms).
An enthusiastic novice poultry keeper reading up on het new endeavour while her charges are enjoying themselves.
£420
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D di Duemilaventidue by Caterina De Nisco
D di Duemilaventidue by Caterina De Nisco
41 / 268
By Caterina De Nisco
Copper plate / Hahnehmuhle paper 350gr
h: 68 w: 65 d: 1 (cms).
PDA on black paper won a Honorable Mention at the XXVII Premios de Museo de Grabado de Marbella (Printmaking Museum Award), 2022
£530
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The Paddleboarder by Flotsam Prints by Megan Hall BA(Hons)
The Paddleboarder by Flotsam Prints by Megan Hall BA(Hons)
42 / 268
By Flotsam Prints by Megan Hall BA(Hons)
Linocut
h: 25 w: 20 d: 1 (cms).
£165
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Shropshire Hills by hannah chumbley
Shropshire Hills by hannah chumbley
43 / 268
By hannah chumbley
Monotype
h: 21 w: 30 d: 1 (cms).
Printed on Fabriano Rosaspina
£250
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The Orangery by hannah chumbley
The Orangery by hannah chumbley
44 / 268
By hannah chumbley
Screen Print
h: 40 w: 28 d: 1 (cms).
Printed on Southbank Smooth
£250
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Silk by jillian harvey BA (Hons), LSDC
Silk by jillian harvey BA (Hons), LSDC
45 / 268
By jillian harvey BA (Hons), LSDC
Waterbased inks with gold, on rosaspina 210 gsm
h: 50 w: 70 d: 1 (cms).
This body of work is based on the word “Silk.” The influence is the work of silk artisans in Japan which in turn is made into the kimono. This work is at the proposal stage. I am also interested in bringing that process into my 2d screen printing. The sketches are based on the looms that create that silk braiding: Kumihimo.
£450
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Let's all go down the Beach! by stephen gibbs SGFA
Let's all go down the Beach! by stephen gibbs SGFA
46 / 268
By stephen gibbs SGFA
Quad colour jigsaw Lino print
h: 40 w: 22 d: 1 (cms).
Quad colour Lino Print
£585
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Cranes, Hull by ian scott massie
Cranes, Hull by ian scott massie
47 / 268
By ian scott massie
Muliple Reduction Print Limited Edition
h: 17 w: 46 d: 1 (cms).
A group of cranes from the now redundant Hull docks.
£295
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The Old Bakehouse by nathalie pymm
The Old Bakehouse by nathalie pymm
48 / 268
By nathalie pymm
Lino reduction print
h: 40 w: 30 d: 1 (cms).
This is an eight colour lino reduction print using Akua intaglio inks. This beautiful building is inspired by a lovely trip to Ludlow. In this image, I decided to put my first ever car in, a vintage VW Beetle.
£265.00
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Kitchen Herbs by nathalie pymm
Kitchen Herbs by nathalie pymm
49 / 268
By nathalie pymm
Lino reduction print
h: 25 w: 40 d: 1 (cms).
This is a six colour lino reduction print inspired by my favourite herbs I use in my kitchen - Rosemary, coriander and basil.
£250.00
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Spirit Hunter by caroline erolin BA (Hons), MPhil, PhD
Spirit Hunter by caroline erolin BA (Hons), MPhil, PhD
50 / 268
By caroline erolin BA (Hons), MPhil, PhD
Linocut
h: 35 w: 40 d: 1 (cms).
'Spirit Hunter' is a hand printed lino cut of a cat/cat skeleton. This print symbolises both the love and pain of pet ownership and is in memory of our much loved black cat 'Magic'. Printed on 40gsm acid free Thai Mulberry paper with Cranfield Caligo safe wash oil-based ink. Signed on the front. This is a limited edition of 50 prints.
£240
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Among the Lilies by caroline erolin BA (Hons), MPhil, PhD
Among the Lilies by caroline erolin BA (Hons), MPhil, PhD
51 / 268
By caroline erolin BA (Hons), MPhil, PhD
Wood engraving
h: 20 w: 20 d: 1 (cms).
An original wood engraving of a toad, floating underwater and among lily pads, engraved into a block of boxwood (shaped like a lily pad!). Printed on 130gsm Simili Japon paper (a lovely off white/subtle cream) with oil-based ink. Signed on the front. This is a limited edition of 20 prints.
£165
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All that Glitters (orange) by caroline erolin BA (Hons), MPhil, PhD
All that Glitters (orange) by caroline erolin BA (Hons), MPhil, PhD
52 / 268
By caroline erolin BA (Hons), MPhil, PhD
Linocut
h: 45 w: 35 d: 1 (cms).
This is a handmade reduction linocut print entitled 'All that Glitters'. It explores themes around life cycles, life, death, and the potential in the eggs. Magpies are well known for stealing shiny things, but in this case the magpie has gathered up litter, rather than treasure. The dangers of litter and pollution to the natural world are further signified by the skull at the bottom of the print. Printed on 40gsm acid free Thai Mulberry paper with Cranfield Caligo safe wash oil-based ink. This paper is very thin but strong. Signed on the front. This is a limited edition of just 16 prints.
£300
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Tidal Thinker by jilly sutton
Tidal Thinker by jilly sutton
53 / 268
By jilly sutton
Coloured woodcut embossing
h: 53 w: 56 d: 1 (cms).
A Woodcut embossing of a side-view head - inspired by my large wood sculpture of the same name
£380
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Hit-and-Miss by katya timoshenko
Hit-and-Miss by katya timoshenko
54 / 268
By katya timoshenko
etching, aquatint, deep bite etch
h: 29 w: 24 d: 1 (cms).
£270
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DARK SENTINELS by gill thompson
DARK SENTINELS by gill thompson
55 / 268
By gill thompson
MONOPRINT COLLAGE
h: 39 w: 24 d: 1 (cms).
original monoprint work with collaged hand-printed additions
£250
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Here come the girls by Naomi Hulatt MBBS MRCP MRCGP
Here come the girls by Naomi Hulatt MBBS MRCP MRCGP
56 / 268
By Naomi Hulatt MBBS MRCP MRCGP
Ink & gold leaf
h: 45 w: 35 d: 1 (cms).
An experimental piece made with a Linocut print on a gold coated mount board finished with gold leaf.
£285
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Ingleton series no.5 by Rosemary Firth BA(hons)
Ingleton series no.5 by Rosemary Firth BA(hons)
57 / 268
By Rosemary Firth BA(hons)
Collagraph
h: 38 w: 57 d: 1 (cms).
A study of rocks at Ingleton waterfall trail
£400.00
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Together in the Mend by Su France Designs BA (Hons)
Together in the Mend by Su France Designs BA (Hons)
58 / 268
By Su France Designs BA (Hons)
Somerset paper and stitched bookbinding linen thread
h: 58 w: 20 d: 1 (cms).
All the textures are hand created. The background is embossed. Monoprint. Will be framed.
£425
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Balanced by Su France Designs BA (Hons)
Balanced by Su France Designs BA (Hons)
59 / 268
By Su France Designs BA (Hons)
Somerset paper and 24ct Gold leaf
h: 57 w: 18 d: 1 (cms).
Monoprint, will be framed.
£395
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Stillness Renewed by Su France Designs BA (Hons)
Stillness Renewed by Su France Designs BA (Hons)
60 / 268
By Su France Designs BA (Hons)
Somerset paper and 24ct Gold
h: 28 w: 53 d: 1 (cms).
Monoprint. Will be framed.
£395
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Invisible Socialism by yeling qian yeling
Invisible Socialism by yeling qian yeling
61 / 268
By yeling qian yeling
etching
h: 70 w: 70 d: 1 (cms).
The relationship between humans and money, the relationship between humans and the power class, and the relationship between humans and life. A satire on the dark moments under the socialist system.
£5000
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‘Rout’ by Aisling McWilliamArt BA (Hons)
‘Rout’ by Aisling McWilliamArt BA (Hons)
62 / 268
By Aisling McWilliamArt BA (Hons)
Wood, ink, paper
h: 10 w: 10 d: 2 (cms).
£45
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Porto Enfilade by peg morris
Porto Enfilade by peg morris
63 / 268
By peg morris
Etching with aquatint
h: 43 w: 34 d: 1 (cms).
£295
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Sassuolo Enfilade by peg morris
Sassuolo Enfilade by peg morris
64 / 268
By peg morris
Etching with aquatint
h: 43 w: 34 d: 1 (cms).
£295
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Kubuwoningen by Mig Gilbert
Kubuwoningen by Mig Gilbert
65 / 268
By Mig Gilbert
Screen print
h: 51 w: 36 d: 1 (cms).
Frames dimensions estimated, print is yet to be framed.
£335
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Inter The Mystic by stephanie wright
Inter The Mystic by stephanie wright
66 / 268
By stephanie wright
Silkscreen Print
h: 60 w: 30 d: 1 (cms).
£440
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Lobster by Steph Renshaw Printmaker
Lobster by Steph Renshaw Printmaker
67 / 268
By Steph Renshaw Printmaker
h: 44 w: 33 d: 1 (cms).
Part of my series celebrating UK sealife
£226
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The Explorer by Steph Renshaw Printmaker
The Explorer by Steph Renshaw Printmaker
68 / 268
By Steph Renshaw Printmaker
h: 33 w: 44 d: 1 (cms).
£226
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Dinas Dinlle by Steph Renshaw Printmaker
Dinas Dinlle by Steph Renshaw Printmaker
69 / 268
By Steph Renshaw Printmaker
h: 32 w: 34 d: 1 (cms).
£216
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Suffolk Gold by marta dyer-smith
Suffolk Gold by marta dyer-smith
70 / 268
By marta dyer-smith
Collagraph with monoprint and chine collé
h: 30 w: 30 d: 1 (cms).
The piece I submitted was created from sketches I have made around Suffolk countryside. The collagraph plate was created using different collage papers and the print was created using intaglio printmaking technique with chine collé and monoprint.
£280
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The Soul That Faints Not in The Storm by Jamie BA (HONS)
The Soul That Faints Not in The Storm by Jamie BA (HONS)
71 / 268
By Jamie BA (HONS)
Lino Print on Giclee
h: 24 w: 24 d: 1 (cms).
The Poem which inspired this print is called 'Hope' by Clara Ann Thompson and features a whale dive beneath small sail boat. The theme for this series of prints is wildlife by the sea. I have made a series of twleve prints that are inspired by a particular animal, bird or place on the coast of the beautiful British Isles. Using the inspiration of a captivating and evocative poem I have woven words into a lino print which breaths life into the imagination. It was printed on my homemade wooden printing press here in Northamptonshire
£288
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DIVING IN by Drusilla Cole BA ( Hons) MA
DIVING IN by Drusilla Cole BA ( Hons) MA
72 / 268
By Drusilla Cole BA ( Hons) MA
Reduction Linocut
h: 38 w: 57 d: 1 (cms).
This reduction linocut used my own cut stencils and eight layers of colour to produce the artwork I was looking for.
£220
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Winter by Frances Daws
Winter by Frances Daws
73 / 268
By Frances Daws
Monotype
h: 27 w: 37 d: 1 (cms).
Created through rolling, reworking and reapplying ink onto Chinecolle, Winter is a semi-abstract imagined landscape where mountains blend with the sea as the colours and marks are reminiscent of cold, ice, wind and storms in the wilderness.
£425
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Trikeri Shadows by christine watson PS
Trikeri Shadows by christine watson PS
74 / 268
By christine watson PS
mezzotint
h: 26 w: 18 d: 1 (cms).
£300
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Silence by therese ferrero MD
Silence by therese ferrero MD
75 / 268
By therese ferrero MD
Etching and aquatint
h: 35 w: 30 d: 1 (cms).
This is an etching with traditional (very fine) aquatint, on a copper plate. It is called 'Silence'. The snow muffles the sound, the owl is gliding silently...For me it is an image of peace in a world of chaos, of silence in a world of noise.
£120
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Nana's Garden by emma bond
Nana's Garden by emma bond
76 / 268
By emma bond
Tetrapak Collagraph
h: 60 w: 50 d: 1 (cms).
"Nana's Garden" is a sentimental piece inspired by Emma's mum’s beautiful garden during the summer of 2021. This artwork commemorates Emma's first post-COVID visit to her parents, where her baby took his first steps amidst vibrant flowers. Using recycled tetrapak cartons as printing plates, Emma meticulously cut, etched, inked, and composed hundreds of tetrapak elements onto the print bed to press just one original print.
£1100
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Combestone Tor Yellow by Helen J Allen MA
Combestone Tor Yellow by Helen J Allen MA
77 / 268
By Helen J Allen MA
Paper
h: 52 w: 40 d: 1 (cms).
Gyclee print on Hannemuhle Photorag paper of original aquatint etching of Combestone Tor on Dartmoor exploring the brutal beauty of the Tors and granite using the build up of tone through the acid etching process by hand painting each layer. Bold colour (added digitally for registration) creates a powerful graphic element to enhance the detail and delicacy of the etching process. Original B/W also available as O/E edition.
£180
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Combestone Tor Blue by Helen J Allen MA
Combestone Tor Blue by Helen J Allen MA
78 / 268
By Helen J Allen MA
Paper
h: 52 w: 40 d: 1 (cms).
Blue version of Combestone Tor as a limited edition gyclee print on Hannemuhle Photorag paper of original aquatint etching of Combestone Tor on Dartmoor exploring the brutal beauty of the Tors and granite using the build up of tone through the acid etching process by hand painting each layer. Bold colour (added digitally for registration) creates a powerful graphic element to enhance the detail and delicacy of the etching process. Original B/W also available as O/E edition.
£180
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Boardwalk by jane duke
Boardwalk by jane duke
79 / 268
By jane duke
Linoprint
h: 30 w: 20 d: 1 (cms).
A reduction print created with 12 colours printed over 8 layers.
£275.00
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Buenos Aires Stairwell by Helen J Allen MA
Buenos Aires Stairwell by Helen J Allen MA
80 / 268
By Helen J Allen MA
Paper
h: 35 w: 35 d: 1 (cms).
Aquatint etching of brutalist building in Buenos Aires with external sculptural staircase. The build up of tone by hand painting the zinc plate and exposing to acid lends itself to the texture of concrete.
£125
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Abundance by julia timmins
Abundance by julia timmins
81 / 268
By julia timmins
Wood Engraving
h: 13 w: 13 d: 1 (cms).
A four block, coloured wood engraving
£250
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Tall Trees by julia timmins
Tall Trees by julia timmins
82 / 268
By julia timmins
Drypoint
h: 42 w: 30 d: 1 (cms).
£290
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Back to the Fields I by juliet bankes MA fine art print
Back to the Fields I by juliet bankes MA fine art print
83 / 268
By juliet bankes MA fine art print
photogravure
h: 29 w: 47 d: 1 (cms).
The print represents an unploughed field where the husbandry is sustainable andd sensitive
£400
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Home 2 by Sunnu Rebecca Choi
Home 2 by Sunnu Rebecca Choi
84 / 268
By Sunnu Rebecca Choi
Etching, Aquatint & Chine Collé
h: 34 w: 27 d: 1 (cms).
£250
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Home 4 by Sunnu Rebecca Choi
Home 4 by Sunnu Rebecca Choi
85 / 268
By Sunnu Rebecca Choi
Etching, Aquatint & Chine Collé
h: 41 w: 34 d: 1 (cms).
£375
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The Fate of Phaeton by eric gaskell
The Fate of Phaeton by eric gaskell
86 / 268
By eric gaskell
Reduction linocut
h: 42 w: 24 d: 1 (cms).
A multi-block, reduction linocut that is an excuse to play with texture, reality, colour and abstraction. Phaeton the son of the sun god drives the chariot of the sun. Losing control and after many complaints Zeus strikes Phaeton. His dead body falls and his sisters are turned to black poplars as they mourn him.
£240
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Ten Past Ten by Rosanna Reade
Ten Past Ten by Rosanna Reade
87 / 268
By Rosanna Reade
Lino
h: 48 w: 35 d: 1 (cms).
A 4 layer reduction linocut print, depicting a cottage scene inspired by trips in Ireland and Scotland. Objects with personal and cultural meaning are dotted around the scene.
£450
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Bred in Captivity, Sheffield Beauties 1,2,3 by Helen A Taylor MA. ASGFA. ASWA
Bred in Captivity, Sheffield Beauties 1,2,3 by Helen A Taylor MA. ASGFA. ASWA
88 / 268
By Helen A Taylor MA. ASGFA. ASWA
Linocut with watercolour
h: 53 w: 38 d: 1 (cms).
Helen Taylor’s work is inspired by well-known botanical and architectural ‘meeting’ places and by her garden. She portrays the plants as they grow in a collection curated by the gardener, in a human-made landscape. ‘Bred in Captivity, Sheffield Beauties’ is inspired by The Palm House at Sheffield Botanical Gardens, a truly beautiful place. Initially Taylor planned only one print, but decided then to make a Triptych, although each print is a standalone artwork, they can be hung together as each image flows into the next. The Palm House is divided into sections so this arrangement echoes the actual planting. An underlying principle of Taylor’s work is ‘What do we have to lose’, with threats to our natural world from changing climate and habitat loss meaning many plants may become ‘Bred in Captivity.’
£750
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Queen Anne's Lace by Helen A Taylor MA. ASGFA. ASWA
Queen Anne's Lace by Helen A Taylor MA. ASGFA. ASWA
89 / 268
By Helen A Taylor MA. ASGFA. ASWA
Linocut
h: 57 w: 46 d: 1 (cms).
Helen Taylor worked with The Cowper and Newton Museum in Olney, Buckinghamshire in 2023, making work inspired by their collection, culminating in an exhibition at museum’s gallery. These works combined her love of flowers and plants with inspiration from the museum’s collection of historic Lace. Queen Annes Lace is drawn from the lace intertwined with the plant Queen Annes Lace (Cow Parsley)
£325
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Cygnus Atratus by John Ferry BA Hons
Cygnus Atratus by John Ferry BA Hons
90 / 268
By John Ferry BA Hons
Etching
h: 30 w: 40 d: 2 (cms).
Etching
£500
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The Green Fuse by brian park
The Green Fuse by brian park
91 / 268
By brian park
Silkscreen with Monotype
h: 70 w: 60 d: 1 (cms).
A mixed media print using elements of screen print and dark field monotype
£250
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River Angel by louise edwards
River Angel by louise edwards
92 / 268
By louise edwards
Lino print
h: 20 w: 15 d: 1 (cms).
Reduction lino print.
£60
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Bailey by Anita Saunders BA(Hons)
Bailey by Anita Saunders BA(Hons)
93 / 268
By Anita Saunders BA(Hons)
Water-based printing inks on heavyweight acid-free paper
h: 42 w: 59 d: 1 (cms).
Baily is a hand printed 19 colour silkscreen, created using the drawing fluid and screen block method.
£385
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Girl holding a large vase of flowers by julie gardner
Girl holding a large vase of flowers by julie gardner
94 / 268
By julie gardner
Lino print
h: 41 w: 31 d: 1 (cms).
I like to include people in my drawings, even if you can't always see their faces (like in my submission where you can only see her curly hair). And pattern is really important to me too - the flowers in this print create a pattern of sorts with all the different shapes. Handmade lino print on Zerkall paper, using Caligo relief ink.
£160
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Clouds for hands by Jilly Clark
Clouds for hands by Jilly Clark
95 / 268
By Jilly Clark
Lino
h: 64 w: 53 d: 1 (cms).
A lino on olive japanese paper
£290
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Rock Skree by Chris Evans MB.BS. MRCPsych MA( Doc Photograohy)
Rock Skree by Chris Evans MB.BS. MRCPsych MA( Doc Photograohy)
96 / 268
By Chris Evans MB.BS. MRCPsych MA( Doc Photograohy)
photo etching
h: 34 w: 34 d: 1 (cms).
The Photo-etching is taken from a photograph of detailed rock structure at the World Heritage Site at Dinorwic, North Wales
£500
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Molly Brook II by Chris Head
Molly Brook II by Chris Head
97 / 268
By Chris Head
Lino Print, Cranfield Ink, Hereford 145gsm paper
h: 49 w: 38 d: 1 (cms).
This lino print shows the Victorian ‘Line of Works’ Aqueduct crossing the Molly Brook in Harptree Combe on the Mendip Hills and combines the hard engineered structure with the way nature has, and continues each year, to claim back the space. As a new artist I have been training at Bristol’s Spike Island and this print is from an ongoing series.
£220
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Processing 2 by janet sang ARE
Processing 2 by janet sang ARE
98 / 268
By janet sang ARE
Photopolymer etching
h: 44 w: 44 d: 1 (cms).
£250
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Equanimity by małgorzata servanska
Equanimity by małgorzata servanska
99 / 268
By małgorzata servanska
Reductive relief Print
h: 36 w: 27 d: 1 (cms).
Hand-pressed Reductive, Multiblock Linocut
£230
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Ariadne's thread (I & II) by sarah guarino
Ariadne's thread (I & II) by sarah guarino
100 / 268
By sarah guarino
Softground etching, embroidery
h: 18 w: 27 d: 1 (cms).
Ariadne's thread (I & II) is a diptych responding to the reflection onto the link between how food shapes our identity since childhood and onto the fact that no matter how strong, the feeling of rootedness can sometimes fade, with chancing circumstances.
£950
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