Printmaking Competition 2024
268 artworks
B Flute 200T/T by małgorzata servanska
B Flute 200T/T by małgorzata servanska
101 / 268
By małgorzata servanska
Reductive relief Print
h: 18 w: 18 d: 1 (cms).
Hand-Pressed Reductive Multiblock Linocut Print
£110
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Spring at Blists Hill 1 by fran farrar
Spring at Blists Hill 1 by fran farrar
102 / 268
By fran farrar
Intaglio and Monotype on Fabriano Rosaspina
h: 50 w: 35 d: 1 (cms).
‘Spring at Blists Hill I’ explores my direct ancestral links to the Severn Gorge and it’s industrial past. Sat sketching in the Blists Hill Valley today I find myself listening to the song of birds long related to those which sang when my past family toiled in this location. The print captures the contrast of springtime colours with the underlying traces of a harsh industrial history.
£495
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Pinpoint 1 by fran farrar
Pinpoint 1 by fran farrar
103 / 268
By fran farrar
Copper Etching on Fabriano Rosaspina
h: 70 w: 50 d: 1 (cms).
Every moment, every emotion can be pinpointed to an exact location. This is one of a series of works exploring how geographical locations define the course of our lives and identify moments of change.
£650
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Kyoto Ladies. by Susan Armour Armour
Kyoto Ladies. by Susan Armour Armour
104 / 268
By Susan Armour Armour
Ink/pastel on dyed paper.
h: 35 w: 26 d: 1 (cms).
Paper dyed with sorrel leaves.
£180
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Obscured Window by nik stanbridge
Obscured Window by nik stanbridge
105 / 268
By nik stanbridge
Polymer Photogravure
h: 13 w: 19 d: 1 (cms).
Photopolymer etching from an analogue 35mm negative.
£200
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The Quiet Carriage by Layla Jabbari BA(Hons) MA(distinction)
The Quiet Carriage by Layla Jabbari BA(Hons) MA(distinction)
106 / 268
By Layla Jabbari BA(Hons) MA(distinction)
Tetra pack prints
h: 23 w: 32 d: 1 (cms).
The print was produced as part of an animation inspired by the people I met, drew and talked to on trains.
£250
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Threshold by nik stanbridge
Threshold by nik stanbridge
107 / 268
By nik stanbridge
Polymer Photogravure
h: 13 w: 19 d: 1 (cms).
Photo etching from an original 35mm negative
£200
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Turned out Shite Again by Graham Firth BA ( Hons)
Turned out Shite Again by Graham Firth BA ( Hons)
108 / 268
By Graham Firth BA ( Hons)
Linoprint
h: 30 w: 21 d: 1 (cms).
£280
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Wolvens Lane by corinne mangan
Wolvens Lane by corinne mangan
109 / 268
By corinne mangan
Drypoint with monoprint
h: 23 w: 18 d: 1 (cms).
£85
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In Utero by Simon Peter Davis
In Utero by Simon Peter Davis
110 / 268
By Simon Peter Davis
Mixed-media
h: 60 w: 40 d: 1 (cms).
The baby form is a pencil drawing. The lighting effects have been added digitally to create a golden ambience and feeling of movement. Specially printed onto a wooden panel, so the grain effect comes through the image, adding a highly distinct level of uniqueness and individuality.
£150.00
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Dartmoor Tiger by Georgia Green BA(Hons)
Dartmoor Tiger by Georgia Green BA(Hons)
111 / 268
By Georgia Green BA(Hons)
CMYK Silkscreen
h: 59 w: 42 d: 1 (cms).
This CMYK silkscreen edition was designed in response to a beautiful house Georgia spent time in whilst on holiday in Dartmoor. She chose to print with warm sunflower and red inks, influenced by the appeal of winter light infusing the shabby grandeur of her temporary home. Georgia’s tiger is a gentle keepsake lifted from a place of literary sanctuary she remembers from childhood, Judith Kerr’s brilliant The Tiger Who Came To Tea.
£450
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Into the Dawn by annie guest
Into the Dawn by annie guest
112 / 268
By annie guest
Cyanotype with copper leaf detail
h: 20 w: 20 d: 1 (cms).
£200
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The Other Side of Night by Georgia Green BA(Hons)
The Other Side of Night by Georgia Green BA(Hons)
113 / 268
By Georgia Green BA(Hons)
CMYK Silkscreen
h: 42 w: 30 d: 1 (cms).
£390
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Sunflowers, Rain Showers by alexandra buckle
Sunflowers, Rain Showers by alexandra buckle
114 / 268
By alexandra buckle
Reduction Linocut
h: 39 w: 49 d: 1 (cms).
A cheerful sunflower field on a showery day.
£335
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Where we meet by wendy rhodes PhD
Where we meet by wendy rhodes PhD
115 / 268
By wendy rhodes PhD
Etching
h: 30 w: 40 d: 1 (cms).
Intaglio etching on copper plate with sugar lift, open bite and aquatint, printed on Somersert satin
£285
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Places that whisper by wendy rhodes PhD
Places that whisper by wendy rhodes PhD
116 / 268
By wendy rhodes PhD
Etching
h: 50 w: 50 d: 1 (cms).
Intaglio etching on a circular copper plate, incorporating coffee lift open bite, open bite and aquatint, printed on Somerset satin 300gsm
£380
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Man and Pig by cliff guttridge FRSA
Man and Pig by cliff guttridge FRSA
117 / 268
By cliff guttridge FRSA
Etching on Zink
h: 20 w: 15 d: 1 (cms).
£160
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Knot Garden, Moseley Old Hall by cliff guttridge FRSA
Knot Garden, Moseley Old Hall by cliff guttridge FRSA
118 / 268
By cliff guttridge FRSA
Etching on Zink
h: 32 w: 22 d: 1 (cms).
£180
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Strada Nova by sienna forbes-lee
Strada Nova by sienna forbes-lee
119 / 268
By sienna forbes-lee
Drypoint
h: 40 w: 30 d: 1 (cms).
£50
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Persephone by briahna barker
Persephone by briahna barker
120 / 268
By briahna barker
Drypoint
h: 30 w: 21 d: 1 (cms).
£50
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Momento Mori by nikki davidson-bowman
Momento Mori by nikki davidson-bowman
121 / 268
By nikki davidson-bowman
h: 23 w: 23 d: 1 (cms).
£245
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Kingsland Bridge by karen sillar
Kingsland Bridge by karen sillar
122 / 268
By karen sillar
Linocut
h: 22 w: 16 d: 1 (cms).
Kingsland Bridge is a reduction linocut printed on Somerset Satin 300gsm using Hawthorn Stay Open inks. Own reference photo.
£185
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Lady with the lamp by ellie hargreaves
Lady with the lamp by ellie hargreaves
123 / 268
By ellie hargreaves
etching with aquatint
h: 34 w: 26 d: 1 (cms).
Mood in art is the innate emotion that a viewer feels while viewing an artwork. A mood can simply be changed by the colour, texture, theme, or composition used in a painting. Additionally, the atmosphere in a printing is influenced by the mood, creating the initial emotions that it produces for the viewer to experience. For example, in romantic paintings, if a dark colour palette was used with passionate brushstrokes, it could portray feelings of unease. Artists who inspire me are Daniel Gerhartz and Henrietta Raes, as they communicate this particular mood very well.
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Beyond the Sea by gillian harding
Beyond the Sea by gillian harding
124 / 268
By gillian harding
Print on paper
h: 29 w: 41 d: 1 (cms).
Mokulito prints vary. These prints have a deckled edge.
£250.00
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Nature’s Layers by beth knight BA(Hons)
Nature’s Layers by beth knight BA(Hons)
125 / 268
By beth knight BA(Hons)
Lino cut printmaking collage
h: 20 w: 30 d: 1 (cms).
Original, handmade printmaking collage created using pieces of my original Lino cut prints.
£460
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Coach House by jennifer bell
Coach House by jennifer bell
126 / 268
By jennifer bell
Drypoint
h: 42 w: 30 d: 1 (cms).
£75
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Dragonfly by Becky Haywood BA(Hons)
Dragonfly by Becky Haywood BA(Hons)
127 / 268
By Becky Haywood BA(Hons)
h: 20 w: 20 d: 1 (cms).
tetrapak etching with screenprint overlay (wings) and gold leaf detail. From some angles the black print only is visible, other angles show the gold.
£230
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Final flight by elizabeth mellor
Final flight by elizabeth mellor
128 / 268
By elizabeth mellor
Drypoint with fineliner
h: 40 w: 30 d: 1 (cms).
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Hope in the darkest of places by elizabeth mellor
Hope in the darkest of places by elizabeth mellor
129 / 268
By elizabeth mellor
Drypoint with fineliner
h: 50 w: 30 d: 1 (cms).
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St Fagans by teresa schippel hales
St Fagans by teresa schippel hales
130 / 268
By teresa schippel hales
Photo Etching/Aquatint
h: 27 w: 20 d: 1 (cms).
Taken from photographs of a traditional worker's cottage at St Fagan's Museum, Glamorgan.
£240
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Fortess Road by teresa schippel hales
Fortess Road by teresa schippel hales
131 / 268
By teresa schippel hales
Photo Etching/Aquatint/Watercolour
h: 15 w: 23 d: 1 (cms).
Row of neglected, shuttered & graffitied shops near Kentish Town, N London. Accommodation above almost looks 'stitched' together.
£195
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Small Talk by Francis Allwood
Small Talk by Francis Allwood
132 / 268
By Francis Allwood
Tetrapak
h: 18 w: 42 d: 1 (cms).
£250
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Hummingbird Bee Moth by Becky Haywood BA(Hons)
Hummingbird Bee Moth by Becky Haywood BA(Hons)
133 / 268
By Becky Haywood BA(Hons)
h: 16 w: 20 d: 1 (cms).
Tetrapack print with screenprint overlay on wings and metallic watercolours. The golds show from some angles not others so you can at times see just the black print.
£200
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Crab Apple tree by Deborah Champion
Crab Apple tree by Deborah Champion
134 / 268
By Deborah Champion
Multi block lino print, cranfield inks on fabrino paper
h: 42 w: 30 d: 1 (cms).
Apple trees are important to the UK because it is a native tree and the fruit can be stored all winter; however the native crab apple is sour and the fruit remains around the tree uneaten. Gold is a symbolic colour and golden apples appear throughout folk tales. This is the three block print.
£180
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'O' is for Octopus by sara lindley
'O' is for Octopus by sara lindley
135 / 268
By sara lindley
Combined Linocut and Letterpress ink print.
h: 43 w: 32 d: 1 (cms).
Using the resources at Leicester Print Workshop I was able to use their collection of Letterpress fonts to show the many different ways the letter 'O' can appear in print. Following on from that I was able to make use of their large printing presses to add a linocut image to reinforce the sound the letter makes.
£285
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Dragon under Oxford by Deborah Champion
Dragon under Oxford by Deborah Champion
136 / 268
By Deborah Champion
Reduction lino print (cranfield inks on masa washi paper)
h: 26 w: 19 d: 1 (cms).
Dragons are mentioned as being found under Oxford in the Mabinogion, a collection of Welsh mythology, as well as being associated with Dragon hill, which is found beneath the White Horse chalk figure which has arguably questionable features when it comes to being described as a horse. This is a reduction lino print.
£120
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Spirit VI by Karl Zheng
Spirit VI by Karl Zheng
137 / 268
By Karl Zheng
Photo Etching
h: 49 w: 25 d: 1 (cms).
The word masculinity is inherently gendered, so it's not realistic to try to change the word at its source, so all I can do is channel it and change the perception, which is Spirit. It's something that's difficult to represent in a physical object, but it's something that lives in people, so I think people are the best form or vehicle to show it, but how to make people show it, I think it's difficult to make people show it, so I chose myself, after all, this theme is mostly based on my own experience. When I chose to use a trailing shadow to express my own temperament, it was difficult to present clearly because temperament itself is not a concrete thing. Although it was a difficult process, in the end, photo etching was the most comfortable way to bring out the atmosphere in a grainy way. Printmaking is about time processing, and it is a combination of drawing, painting, and chemical effects. I just feel it?can be explored more compared to photograph. Printmaking is a physical process, but the feel that gives people is unique. Among the process of physical change in the human body, I want to be able to express the idea of the spirit being genderless, as should not be bound by society's gender norms. The spirit should be able to blossom and so I chose the bed as a subject. This enabled me to challenge and break down my grandpa’s stereotypical definitions of manly spirit. A bed goes through a person's life. People come from and go to bed. A bed is like a container that holds a person's life. Compared to photographs, a bed can be softer and more delicate to capture. It is a malleable memory like the unconscious movement of sleeping at night. A bed will record the traces of this movement, presenting and memorizing the spirit while people sleep.
£475
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Vol.12 by francesca centioni
Vol.12 by francesca centioni
138 / 268
By francesca centioni
Polymer Gravure on Antique Books
h: 60 w: 55 d: 1 (cms).
Vol.12 explores messages from nature and happenings beyond our control. In mythology the natural world acts as a witness representing immortality, mystery and enlightenment. Over time memories inform new impressions. The almost forgotten pages are a reminder of past knowledge, the printed papers become collaborators speaking to today and tomorrow.
£2200
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Garden in Yard by Karl Zheng
Garden in Yard by Karl Zheng
139 / 268
By Karl Zheng
Etching and aquatint
h: 15 w: 15 d: 1 (cms).
£100
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Heatwave, Design for a Fan by francesca centioni
Heatwave, Design for a Fan by francesca centioni
140 / 268
By francesca centioni
Polymer Gravure
h: 34 w: 58 d: 1 (cms).
My work calls attention to our relationship with the natural world and explores messages from nature and happenings beyond our control. In mythology the natural world acts as a witness representing immortality, mystery and enlightenment. Over time memories inform new impressions. These references are a reminder of past knowledge, the polymer gravure becomes a collaborator speaking to today and tomorrow.
£1500
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Noice by Karl Zheng
Noice by Karl Zheng
141 / 268
By Karl Zheng
Etching and Chine collé
h: 21 w: 15 d: 1 (cms).
I always be thinking, should I across the road under red light, because there isn’t any car on the road
£150
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Bird's Eye View by Hester Cox BA(Hons)
Bird's Eye View by Hester Cox BA(Hons)
142 / 268
By Hester Cox BA(Hons)
Collagraph
h: 28 w: 41 d: 1 (cms).
£315
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Polyhedral Variations (after Jamnitzer) by louisa boyd
Polyhedral Variations (after Jamnitzer) by louisa boyd
143 / 268
By louisa boyd
etching and marbled paper sculpture
h: 21 w: 65 d: 10 (cms).
This sculptural work is a series of three dimensional forms made from etching prints and hand marbled paper. It is inspired by Wenzel Jamnitzer's fascinating book created in 1568, 'Perspectiva Corporum Reularium' which includes a series of beautiful engravings that take the five regular Platonic solids as a starting point and vary them by introducing secondary shapes, as well as inverting, stellating and truncating them. With my interest in my own work of translating two dimensional prints into three dimensional forms, it was interesting to use these drawn three dimensional shapes as a starting point for a piece of work.
£1750
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The Watering Hole by Hester Cox BA(Hons)
The Watering Hole by Hester Cox BA(Hons)
144 / 268
By Hester Cox BA(Hons)
Collagraph
h: 44 w: 31 d: 1 (cms).
£325
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Let It flow by No'one
Let It flow by No'one
145 / 268
By No'one
Linocut
h: 30 w: 30 d: 1 (cms).
£120
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The Repton Peacock by harriet merry ASWA
The Repton Peacock by harriet merry ASWA
146 / 268
By harriet merry ASWA
Tetrapak print on Hahnemuhle
h: 19 w: 22 d: 1 (cms).
The School Run: The car is a space for arguing, for talking, for not talking, for laughing, for singing, for thinking, for ranting, for listening and for observing. These prints, taken from observational drawings in my sketchbook and imagination then drypointed onto tetrapak cartons, are part of a series of prints recreating my car journeys both with my kids and in my head. I love the jagged edge and texture these atmospheric prints embody and have paid tribute to the round edged photos we displayed in albums in my own childhood as a way of preserving our journeys and what we see. By using a modern day, environmentally friendly form of printmaking, I hope not only to capture the at times somber and edgy, at other times loving and safe space in and around my car where so much ground is covered but also to address the discomfort I regularly feel at driving a petrol car through our fragile environment.
£175
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Aberdaron by Amanda Hillier
Aberdaron by Amanda Hillier
147 / 268
By Amanda Hillier
Stone Lithograph
h: 33 w: 26 d: 1 (cms).
£295
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Red by night by linda nevill
Red by night by linda nevill
148 / 268
By linda nevill
Etching, aquatint, monotype
h: 31 w: 46 d: 1 (cms).
£370
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Through the trees by linda nevill
Through the trees by linda nevill
149 / 268
By linda nevill
Etching and aquatint
h: 31 w: 46 d: 1 (cms).
£370
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Summer Arrivals by lynsey pickwell
Summer Arrivals by lynsey pickwell
150 / 268
By lynsey pickwell
Copper Plate Etching
h: 33 w: 30 d: 1 (cms).
Printed onto cotton rag paper with oil based inks
£375
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BPS 2 by callum russell MA, BA(Hons)
BPS 2 by callum russell MA, BA(Hons)
151 / 268
By callum russell MA, BA(Hons)
Lino print
h: 42 w: 32 d: 1 (cms).
Lino print on Japanese paper
£450
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Scorpion Surprise by faye winslade BA (Hons)
Scorpion Surprise by faye winslade BA (Hons)
152 / 268
By faye winslade BA (Hons)
ink on Somerset soft paper
h: 32 w: 24 d: 1 (cms).
The image was hand drawn and then photo etched onto zinc. A mixture of soft ground etching and aquatint have been used to build up the patterns and tones.
£340
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I Know What You Are Thinking by Alexandra Sivov MFA
I Know What You Are Thinking by Alexandra Sivov MFA
153 / 268
By Alexandra Sivov MFA
Photo-etching print
h: 25 w: 25 d: 1 (cms).
£200
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Evening Skies over Gold Cap by rachel wilcox
Evening Skies over Gold Cap by rachel wilcox
154 / 268
By rachel wilcox
h: 49 w: 38 d: 1 (cms).
Relief print using found recycled materials inspired by visit to Seatown Beach, Dorset
£280
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Sea Breezes by rachel wilcox
Sea Breezes by rachel wilcox
155 / 268
By rachel wilcox
h: 54 w: 65 d: 1 (cms).
Carborundum print with monoprint
£400
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OCTAVIA by anthony connolly PRP
OCTAVIA by anthony connolly PRP
156 / 268
By anthony connolly PRP
ETCHING
h: 28 w: 17 d: 1 (cms).
£495
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Under The Bridge by wayne longhurst
Under The Bridge by wayne longhurst
157 / 268
By wayne longhurst
Linocut, reduction
h: 38 w: 29 d: 1 (cms).
A 6 layer reduction linocut
£325
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Blue II by michaela wheater
Blue II by michaela wheater
158 / 268
By michaela wheater
Etching
h: 26 w: 19 d: 1 (cms).
£265.00
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Blue by michaela wheater
Blue by michaela wheater
159 / 268
By michaela wheater
Etching
h: 26 w: 19 d: 1 (cms).
£265.00
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Given to Fly by wayne longhurst
Given to Fly by wayne longhurst
160 / 268
By wayne longhurst
Reduction Linocut
h: 42 w: 42 d: 1 (cms).
A 7 layer reduction linocut
£395
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Eastgate Clock, Chester by Jacqui Dodds BA (Hons)
Eastgate Clock, Chester by Jacqui Dodds BA (Hons)
161 / 268
By Jacqui Dodds BA (Hons)
Silkscreen
h: 21 w: 15 d: 1 (cms).
Eastgate Clock, Chester sits above one of the open gates to Chester city on the on the site of the original entrance to the Roman fortress of Deva Victrix in Chester. The clock was added to the gate in 1899 to celebrate the Diamond Jubilee of Queen Victoria which was in 1897.
£150
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Riparian by stewart taylor
Riparian by stewart taylor
162 / 268
By stewart taylor
Gelliplate Monoprint on Daler Rowney Heavyweight Cartridge
h: 35 w: 30 d: 1 (cms).
£300
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Children's Games X (House of Commons) by jim anderson
Children's Games X (House of Commons) by jim anderson
163 / 268
By jim anderson
Lino-cut
h: 31 w: 21 d: 1 (cms).
Single block reduction print on recycled floor lino. My son went through a Summer of being fascinated by chickens. I thought his stand-offs with the cockerel - amidst a burbling of hens - were a fitting satire of activities within the House of Commons.
£350
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There's a Cat in the Cabin by charlotte ashman
There's a Cat in the Cabin by charlotte ashman
164 / 268
By charlotte ashman
Linocut
h: 30 w: 30 d: 1 (cms).
Reduction Print
£330.00
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An Corran by amelia hemmings
An Corran by amelia hemmings
165 / 268
By amelia hemmings
Reduction Linocut
h: 30 w: 39 d: 1 (cms).
Printed on 285gsm Fabriano Rosapina. Framed print. A multi-colour reduction linocut print, inspired by a visit to a remote uninhabited island in the Outer Hebrides. The embossed marks on the print represent the first foot prints on the pristine beach.
£485.00
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In search of the willow warbler by Moira McTague BA (Hons)
In search of the willow warbler by Moira McTague BA (Hons)
166 / 268
By Moira McTague BA (Hons)
Copperplate etching, printed in colour, a la poupe
h: 40 w: 30 d: 1 (cms).
£395
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A Welcome visitor, the wheatear by Moira McTague BA (Hons)
A Welcome visitor, the wheatear by Moira McTague BA (Hons)
167 / 268
By Moira McTague BA (Hons)
Copper plate etching, aquatint
h: 11 w: 23 d: 1 (cms).
£140
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The language of the the fan by Moira McTague BA (Hons)
The language of the the fan by Moira McTague BA (Hons)
168 / 268
By Moira McTague BA (Hons)
Etching, aquatint, chine colle,gold leaf, handstitch
h: 15 w: 23 d: 1 (cms).
£275
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Collected Fragments by louise thompson
Collected Fragments by louise thompson
169 / 268
By louise thompson
Intaglio print from found objects and cardboard etching plates
h: 18 w: 18 d: 1 (cms).
Collected fragments is printed from found objects and hand made etching plates, the paper is embossed in some places adding depth to the artwork
£349
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The Birth of Blodeuwedd/Y Genedigaeth o Blodeuwedd by gini wade
The Birth of Blodeuwedd/Y Genedigaeth o Blodeuwedd by gini wade
170 / 268
By gini wade
Stone Lithograph
h: 38 w: 28 d: 1 (cms).
The image references the story of Blodeuwedd, the Woman made from Flowers, from the Welsh Mabinogi. It is a 4-run lithograph printed with my Victorian litho press on Hahnemulle paper
£450
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Gronw's Stone/Llech Ronw by gini wade
Gronw's Stone/Llech Ronw by gini wade
171 / 268
By gini wade
Stone Lithography
h: 38 w: 28 d: 1 (cms).
This image references Gronw's Stone - a key element in the story of Blodeuwedd, from the Mabinogi . It is a 3-run lithograph printed on Hahnemulle paper with my Victorian litho press
£450
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Raw power with a big sky by catherine king
Raw power with a big sky by catherine king
172 / 268
By catherine king
Aquatint with silkscreen monotype
h: 66 w: 55 d: 2 (cms).
A aquatint in a variable edition of 7. I made the initial sketches on the Isles of Harris and Lewis just after a Gale force storm. It is printed on Somerset velvet 300 gm This work has no line etch to retain the movement of the sea. Each varies in the colour and tone of the inking so individual photos are available. The seas were massive for two days after the storm affording the opportunity to video, photograph and paint plein air.
£790
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Silence of a winter's day, Afon Dulyn by Ann Lewis RCA RCA
Silence of a winter's day, Afon Dulyn by Ann Lewis RCA RCA
173 / 268
By Ann Lewis RCA RCA
Reduction linocut
h: 53 w: 38 d: 1 (cms).
£275
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Writhe by sally weatherill
Writhe by sally weatherill
174 / 268
By sally weatherill
etching
h: 30 w: 30 d: 1 (cms).
etching with soft ground and aquatint
£325
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Gimble 4 by sally weatherill
Gimble 4 by sally weatherill
175 / 268
By sally weatherill
etching
h: 20 w: 20 d: 1 (cms).
Etching with aquatint and spit bite, double printed
£300
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Tu Hwnt / Beyond by julian brasington
Tu Hwnt / Beyond by julian brasington
176 / 268
By julian brasington
Wood engraving hand pressed to 250 gsm Somerset Satin
h: 5 w: 17 d: 1 (cms).
Tu Hwnt / Beyond is a reflection upon climate change and the impact of tourism upon local community. It takes as its starting point a romanticised interpretation of Castell Dolbadarn. It is comprised of three individual lemonwood engravings, each of which are sold individually in editions of 50 prints, but which have been combined together here to form an unpanelled triptych.
£200
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Purple Skies by soomin leong
Purple Skies by soomin leong
177 / 268
By soomin leong
Collagraph and Carborundum
h: 34 w: 34 d: 1 (cms).
2 plates Collagraph and Carborundum on cardboard
£400
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Ty'n Llyn, Llyn Alwen II by Aimee Jones MA
Ty'n Llyn, Llyn Alwen II by Aimee Jones MA
178 / 268
By Aimee Jones MA
Etching
h: 30 w: 40 d: 1 (cms).
Inspired by a discovered ruin that was found on a 6 mile walk in the Pentrefoelas area, North Wales.
£375
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The Ocean of Intercosmic Emptiness by graeme reed BA (Hons), MA
The Ocean of Intercosmic Emptiness by graeme reed BA (Hons), MA
179 / 268
By graeme reed BA (Hons), MA
silkscreen
h: 43 w: 31 d: 1 (cms).
£360
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Equilibrium II by Euan G Stewart
Equilibrium II by Euan G Stewart
180 / 268
By Euan G Stewart
Woodcut/ Linocut
h: 50 w: 40 d: 1 (cms).
£400
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Weeping by kate alger BA(Hons)
Weeping by kate alger BA(Hons)
181 / 268
By kate alger BA(Hons)
Monotype - intaglio inks
h: 45 w: 45 d: 1 (cms).
Painterly monotype - ink applied and wiped off with rollers, brushes, card, rags and cotton buds.
£895
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Solar Flare by Jacqui Jones BEd(Hons)
Solar Flare by Jacqui Jones BEd(Hons)
182 / 268
By Jacqui Jones BEd(Hons)
Reduction Linocut
h: 30 w: 30 d: 1 (cms).
A solar flare is a relatively intense emission of electromagnetic radiation in the Sun's atmosphere.
£280.00
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Ermine Way by michelle hinshelwood
Ermine Way by michelle hinshelwood
183 / 268
By michelle hinshelwood
Intaglio photopolymer etching
h: 35 w: 50 d: 1 (cms).
£285
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Stacked in Sienna by Jacqui Jones BEd(Hons)
Stacked in Sienna by Jacqui Jones BEd(Hons)
184 / 268
By Jacqui Jones BEd(Hons)
Reduction Linocut
h: 41 w: 26 d: 1 (cms).
An illusory, playful image of floating, 3-dimensional squares
£320.00
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Higger Tor from Burbage Brook by wayne fallon
Higger Tor from Burbage Brook by wayne fallon
185 / 268
By wayne fallon
Solar plate from pencil study.
h: 39 w: 24 d: 1 (cms).
“God told me if I painted that mountain enough, I could have it.” How Georgia O’Keeffe referred to Cerro Pedernal, in New Mexico, ‘her mountain’. A muse to which she returned and rendered multiple times. Often I am struct by Higger Tor’s similar form and aspect, if not scale or stature. This modest, yet striking plateau is located in the east of our beguiling Dark Peak; skirting the boarder of South Yorkshire and North Derbyshire, seated in the east of the Peak District National Park, a gritstone mini mesa, an Ethel too. Higger Tor is no mountain nor is my depiction a painting, nevertheless, I’m holding to the sentiment; if I draw it enough, could it be mine?
£180
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gondola by michelle hinshelwood
gondola by michelle hinshelwood
186 / 268
By michelle hinshelwood
Intaglio photopolymer etching
h: 20 w: 20 d: 1 (cms).
£110
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Gardom’s Edge by wayne fallon
Gardom’s Edge by wayne fallon
187 / 268
By wayne fallon
Solar plate from pencil study
h: 41 w: 41 d: 1 (cms).
Of the Peak District’s gritstone edges, Gardom’s is lesser known and lightly visited. An intensely atmospheric escarpment, littered with ancient artworks and earthworks, vailed under a cover of birch, moss and bracken. If ‘thin places’ exist Gardom’s may well meet the requirements.
£260
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Mountain Spirit by ziyi tang
Mountain Spirit by ziyi tang
188 / 268
By ziyi tang
Multi colored print from one etching plate on Somerset paper
h: 9 w: 16 d: 1 (cms).
£600
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Ruscombe Route by sally castle BA (Hons) MATD
Ruscombe Route by sally castle BA (Hons) MATD
189 / 268
By sally castle BA (Hons) MATD
Coloured inks on coloured paper
h: 40 w: 30 d: 1 (cms).
Edition variee, colours vary
£150
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The Secret by dave baines BA (Hons)
The Secret by dave baines BA (Hons)
190 / 268
By dave baines BA (Hons)
Silk screen and lino
h: 30 w: 45 d: 1 (cms).
Watch the skies!
£450
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Badger Bundle by tricia johnson
Badger Bundle by tricia johnson
191 / 268
By tricia johnson
Aluminium aquatint
h: 10 w: 15 d: 1 (cms).
This print is based on a sketch made at a local Wildlife Center, where rescued badgers are rescued. Observing them requires standing in the dark until your eyes adjust enough to see them curled up and sleeping—a challenging place to sketch! Created using open bite aquatint and hardground etching techniques
£220.00
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Soil Guardian by ziyi tang
Soil Guardian by ziyi tang
192 / 268
By ziyi tang
Multi colored print from one etching plate on Somerset paper
h: 16 w: 9 d: 1 (cms).
£500
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Meadow Whisper by ziyi tang
Meadow Whisper by ziyi tang
193 / 268
By ziyi tang
Multi colored print from one etching plate on Somerset paper
h: 9 w: 16 d: 1 (cms).
£500
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Landscape 2 by fiona white SE20 7LY
Landscape 2 by fiona white SE20 7LY
194 / 268
By fiona white SE20 7LY
Screenprint
h: 42 w: 42 d: 1 (cms).
Human Landscape - a series of prints exploring how connected we all are to each other and our surroundings.
£395
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The Lift by michael hitchens
The Lift by michael hitchens
195 / 268
By michael hitchens
screen-print
h: 50 w: 50 d: 1 (cms).
A screen-print of the Anderton Boat lift in Northwich (2024)
£300
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In The Pink by tricia johnson
In The Pink by tricia johnson
196 / 268
By tricia johnson
Collagraph
h: 20 w: 9 d: 1 (cms).
A collagraph print of a preening flamingo, created from several sketches of this beautiful bird. The collagraph was made using textured papers and selective inking techniques.
£180.00
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'mon the Bees 3 by catherine king
'mon the Bees 3 by catherine king
197 / 268
By catherine king
Etching with Aquatint and chine colle
h: 20 w: 20 d: 1 (cms).
The third of a trilogy of aquatints highlighting the plight of the Bee. This lone bee was found in the corner of my studio window. I hope it had already had a useful and happy life among my sweet-peas and lavender . on 300gsm Hannemhulle paper and the chine colle is hand painted Japanese paper to ensure the best lightfast colour possible
£275
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TWO GALAXIES by Andi Dakin BA(hons)
TWO GALAXIES by Andi Dakin BA(hons)
198 / 268
By Andi Dakin BA(hons)
Black Hawthorn Stay Open Ink on Fabriano unica.
h: 29 w: 29 d: 1 (cms).
Two Galaxies with differences. One relaxed and one gracefully urgent.
£340
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The Wolf in the Abbey by loraine monk
The Wolf in the Abbey by loraine monk
199 / 268
By loraine monk
Etching/ Aquatint
h: 30 w: 27 d: 1 (cms).
Charbonnel ink on Somerset Paper
£140
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Woolacombe beach by Liz Freedman BA(Hons)
Woolacombe beach by Liz Freedman BA(Hons)
200 / 268
By Liz Freedman BA(Hons)
Collagraph
h: 8 w: 15 d: 1 (cms).
A collagraph print of Woolacombe Beach, Devon.
£295
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