Ironbridge Fine Arts : Printmaking Competition 2024

Ghost

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Across the Bay II

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BLADE VIEW 3

By Andi Dakin BA(hons)

Black Hawthorn Stay Open Ink on Fabriano unica. Presented in wood, steel, brass and glass assemblage.

h: 55 w: 35 d: 12 (cms).

Present Artwork on wall with mirror plates as seen in first image. The Sculpture is a view into a far away galaxy through a port hole, hints of Victorian science fiction.

£1400

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BLADE VIEW 3

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Her Portrait

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BCC Colours 21 to 40

By heather boxall

Lino

h: 42 w: 30 d: 1 (cms).

£395

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BCC Colours 21 to 40

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Children's Games XIII (The life Aquatic)

By jim anderson

lino-cut

h: 31 w: 21 d: 1 (cms).

Multi-colour reduction lino-print from one block, printed off a piece of reclaimed flooring lino. A memory of the relentless rhythms of swimming training.

£350

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Children's Games XIII (The life Aquatic)

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Blustery Day Badger

By martin truefitt-baker

Reduction linocut

h: 29 w: 41 d: 1 (cms).

It is the design used for the cover of my 2025 Flametree calendar and will also be published as a jigsaw.

£400

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Blustery Day Badger

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Harnessing the Girls

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Swimming in Stars

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In Shadow

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Milk Jug

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Cuillin Nightfall

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Elf of Plants

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Old Royal Naval College

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Wythop Old Church

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Converge

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Thriddle Shaft Wheel Pit

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Midday Sun

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Meridian Dance

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Meet Me At The Mayow Tree

By Ky Lewis BA(Hons)

Tetra Pack

h: 33 w: 25 d: 1 (cms).

Recycled Tetra Pack Drypoint on BFK Rives. The place I would meet my friend for a walk around the park.

£250.00

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Meet Me At The Mayow Tree

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In The Quiet Of The Night

By tanya morel

Black ink with watercolour on hahnnemhule natural

h: 38 w: 32 d: 1 (cms).

Paper size is approx h38cm x w32cm Image (plate size) is h22.5cm x w16cm

£275

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In The Quiet Of The Night

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Strands of Time

By Sarah Jane Gordon BA (Hons)

Gelli Printed - Mono Print

h: 51 w: 37 d: 1 (cms).

The printing process Is involved, as I layer my gelli plate with pressed seaweed, stencils and masks (all designed and hand-cut by me), this process echoes the layers of amazing beach objects found buried in the strand lines of the south coast. Once the background ink has been removed, I remove the masking items and work into the surface press printing with found objects to remove and add ink, this provides the richly patterned and detailed outcome which provides the viewer with an experience I would liken to that if beachcombing, a process of searching and discovery. By layering hand cut stencils in combination with the use of pressed seaweed and items found on the beach such as fossils, rope as stamps to build compositions rich in colour and pattern.

£650

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Strands of Time

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Bear Boy And The Dog

By tanya morel

Black ink and watercolour on hahnemhule natural

h: 38 w: 32 d: 1 (cms).

£275

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Bear Boy And The Dog

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Somewhere Near

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Hawkers

By sheila woollam BA(Hons)

Aquatint on Zinc

h: 23 w: 16 d: 1 (cms).

Part of the Yo Sara! collection of prints inspired by the Roma festival in Saintes-Maries-de-la-Mer. The unspoken conversation between Roma women occurs while selling charms of Sara la Kal

£190

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Hawkers

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Soane's Tree, Dulwich

By Ky Lewis BA(Hons)

Drypoint On Tetra pack printed on BFK Rives

h: 30 w: 25 d: 1 (cms).

Hand drawn drypoint on Tetra Pack as recycling and sustainability is important to me. Printed on BFK Rives. The tree sits outside Dulwich Picture Gallery and I often wonder if it was there when Sir John Soane was building the gallery.

£240.00

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Soane's Tree, Dulwich

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After the Rain - Bellever

By ian cox BA(Hons) SWAc

Hahnemühle 300gsm etching paper and Portland Black etching ink

h: 35 w: 50 d: 1 (cms).

£950

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After the Rain - Bellever

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One More Cup Of Coffee

By sheila woollam BA(Hons)

Aquatint on Zinc

h: 16 w: 13 d: 1 (cms).

Part of the Yo Sara! collection of prints inspired by the Roma festival in Saint-Marie-De-La-Mer. This image raises the question: was Bob Dylan influenced by Sara La Kali in the early 1970s?

£190

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One More Cup Of Coffee

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Honeybee

By stefanie smith

Ink and metallic powder on Hahnemule paper

h: 6 w: 5 d: 1 (cms).

variable edition

£75.00

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Honeybee

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Festival

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a splash of colour at Sussex Prairies

By Julia White

solar etching with mono print from plants and gold leaf

h: 38 w: 48 d: 1 (cms).

bumble bee pollinating the echincea flower at Sussex Prairie Gardens

£225.00

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a splash of colour at Sussex Prairies

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True Meridian

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Work of the Dead

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Wistman Oak

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As the Crows Fly

By ian cox BA(Hons) SWAc

Reduction linoprint

h: 43 w: 40 d: 1 (cms).

This is a reduction linoprint with additional detail (the 6 crows) hand-drawn with charcoal (fixed)

£450

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As the Crows Fly

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The red list series- hen harrier

By M.j. Wallis

Mezzotint

h: 30 w: 40 d: 1 (cms).

£200

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The red list series- hen harrier

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Pomegranate

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Apple

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Curiosity

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Dragons in Her Mind

By Cecilia Mackay

Screenprint (unique)

h: 38 w: 27 d: 1 (cms).

Portrait of a 10 year old girl holding a bunch of flowers, surrounded by colourful manifestations of the thoughts in her head. The multilayered nature of the screenprint affords the artist the chance to capture both the outward appearance and the inner monologue of a self-possessed child with a vivid imagination.

£225

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Dragons in Her Mind

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Is that the time

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The Seer

By susan davies

Mezzotint

h: 20 w: 12 d: 1 (cms).

Inspired by the mythology of owls being the gatekeepers to the spirit world and a seer of souls.

£245

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The Seer

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Heavy Friends - The Devils Den

By lee nutland

Lino cut and monoprint on Tosa Shi 54 gsm

h: 18 w: 17 d: 1 (cms).

Edition variable, print size 6.3 x 9.6 cm, paper size 17.8 x 16.7 cm. The first in a series of small prints focusing on dolmens and quoits, the remains of prehistoric burial chambers. People have been returning to these monuments for countless generations, even after the original rituals were lost to time. They have become familiar friends, a seemingly unchanging constant in a rapidly changing world. These monuments are huge, The Devil's Den capstone is estimated to weigh 17 tons, and although in this case the monument has not stood intact since it was created (having been re-erected in the early 1920's), the support stones faithfully support and elevate their companion as they confront the forces of nature and humankind. A work of contrasts, I wanted to see if I could convey the immense mass of these monuments at a small scale and place the imposing permanence of the stone's silhouette against a monoprinted sky of ever changing soft cloud forms and light.

£245

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Heavy Friends - The Devils Den

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ORNAMENTAL CLOCK

By Simon Trewin - The Garage Press RSA

handprinted on paper

h: 60 w: 32 d: 2 (cms).

Using over 100 individual pieces of original letterpress type and ornaments this piece started life as a single line on a page and over the course of a week morphed into this upstanding clock. Handprinted on an 1856 Albion printing press onto GFSMITH paper, numbered and signed in a small edition in three different colours. This example has a layer of thermo gloss powder to give extra presence.

£400

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ORNAMENTAL CLOCK

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NYC

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herbal study

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Distraction - Museum

By evangelia hamilton phD MRTPI

Etching on Copper with Watercoloured Chine Colle

h: 22 w: 21 d: 1 (cms).

£377

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Distraction - Museum

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BRING ON THE DANCING GIRLS

By Simon Trewin - The Garage Press RSA

handprinted on paper

h: 49 w: 67 d: 2 (cms).

A repeating pattern of this cheeky Edwardian gentleman corsetry model stepping out for a night of glamour and glitz. This is hand printed on thick art paper using Rubine Red and Printer's Black ink from a combination of vintage Italian woodtype and a Lyme Bay Press photopolymer plate of Omar - The Garage Press mascot! His feet are dusted with thermo powder glitter and all the better for it.

£400

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BRING ON THE DANCING GIRLS

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Train Station

By qinlin yang

Oil Paint

h: 7 w: 7 d: 1 (cms).

£380

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Train Station

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Bluebird Fan

By helen adie

Etching/Aquatint

h: 30 w: 40 d: 1 (cms).

The fan holds characters together at key moments in the action, as if suspended in time. It operates rather like a theatre, the fan opening like a curtain opens onto a stage.

£350

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Bluebird Fan

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Newgale at Low Tide

By tansy larsen

Reduction linocut

h: 35 w: 26 d: 1 (cms).

Five-layer reduction linocut print, printed on Zerkall Smooth 145gsm paper using Cranfield Caligo Safe Wash relief inks.

£240

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Newgale at Low Tide

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Central Line

By qinlin yang

Oil Paint

h: 7 w: 7 d: 1 (cms).

£380

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Central Line

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Living in a Strange World

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Marloes at High Tide

By tansy larsen

Collagraph

h: 30 w: 22 d: 1 (cms).

Collagraph using environmount base, with elements of drypoint etching and application of acrylic mediums, carborundum and wood glue

£220

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Marloes at High Tide

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Fern

By Amy Quinn BA(Hons)

Direct Botanical Relief Print Contemporary Collage

h: 40 w: 40 d: 2 (cms).

A direct botanical relief print of a fern leaf on a circular cork background, hung unframed with brass photo hangers. The contemporary collage elements of brass hoops, recycled card, seaweed paper, recycled corrugated cardboard, and cork have been crafted to the piece with brass nails. As discussed with Sarah Morris over email, these photographs are to be used as a placeholder. This piece measures 19cm in diameter. If accepted into the exhibition, I will create a visually similar piece at 40cm in diameter.

£270

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Fern

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Stars hide your fires

By helen adie

Etching/Aquatint

h: 35 w: 45 d: 1 (cms).

The central figure is rapt by a vision. This image was inspired by a production I directed of a young female cast, and was performed at the Edinburgh Festival. The quotation comes from Shakespeare's Scottish play!

£350

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Stars hide your fires

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Dredger at Southampton Port

By evangelia hamilton phD MRTPI

Etching and Drypoint on Zinc

h: 21 w: 25 d: 1 (cms).

This is a work from real life, depicting a dredger at the Port of Southampton.

£377

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Dredger at Southampton Port

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Here we go again

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Palermo Ficus

By mandi stewart

Photopolymer

h: 21 w: 15 d: 1 (cms).

Photopolymer print

£190

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Palermo Ficus

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Call of the Dales

By holly magdalene scott

hand coloured linocut

h: 59 w: 42 d: 1 (cms).

£650

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Call of the Dales

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Burning II

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Eucalyptus

By Amy Quinn BA(Hons)

Direct Botanical Relief Print Contemporary Collage

h: 40 w: 40 d: 2 (cms).

A direct botanical relief print of a eucalyptus leaf on a circular cork background, hung unframed with brass photo hangers. The contemporary collage elements of brass hoops, recycled card, seaweed paper, recycled corrugated cardboard, and cork have been crafted to the piece with brass nails. As discussed with Sarah Morris over email, these photographs are to be used as a placeholder. This piece measures 19cm in diameter. If accepted into the exhibition, I will be able to create a visually similar piece at 40 cm in diameter. This work features a eucalyptus leaf. However, if all three applications are successful and the following proposal is approved, I would love the opportunity to exhibit a series of work that is representative of native British plants. My flower press is currently full, with red campion, meadowsweet, clovers, fringed willowherbs, and many more local plants. I would like to pick a different plant to replace the eucalyptus leaf, to give a more rounded representation of the beautiful variety of flora that we have growing throughout Britain. If this idea is not approved, I am more than happy to create a visually similar piece using eucalyptus leaves, at 40cm in diameter. Please do not hesitate to contact me if you have any questions regarding this proposal.

£270

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Eucalyptus

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The Mirror is a Trap

By alba urquia

Stone lithography on Simili Japan

h: 60 w: 40 d: 1 (cms).

A self portrait transfered onto a lithographic stone from which it was printed. The irregular frame around the image corresponds to the shape of the limestone from which it was printed.

£300

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The Mirror is a Trap

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An Immense and Pallid Halo sliding in the Light

By alba urquia

Stone lithograph on Simili Japon

h: 45 w: 36 d: 1 (cms).

The self-portrait was transferred onto a block of plaster and cracked. The resulting photograph was transferred onto a stone and printed from it.

£220

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An Immense and Pallid Halo sliding in the Light

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Lilith

By Charlotte Day MA

Aquatint Etching

h: 27 w: 18 d: 1 (cms).

£170.00

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Lilith

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Cleaving

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Ar Elan Bridge

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