by amelia palmer
Copperplate Etching with aquatint and drypoint
h: 21 w: 15 d: 1 (cms).
St Mary’s Lighthouse on a cold winter's day. The linework remains loose, capturing the dynamic energy of the tide lapping the rocks as the sea moves in, detaching St Mary’s Island from the mainland. Aquatint is used to create tonal variation and highlight reflections in the pools of water left behind.
£230 (As exhibited.)
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