by michela mascarucci
Zinc, two plates 50x33 cm. Tecniques: Etching, aquatint, toner tranfer, softgound. Hahnemuhle Paper 300 gr 70x50 cm
h: 50 w: 33 d: 1 (cms).
In Michela Mascarucci’s prints, imagined reality takes over. The viewer is drawn into interior architectures where signs become vibrations of condensed time and fragmented memory. Her images emerge as landscapes of light and shadow, shaped by traces, wounds, and layered marks that evoke journeys through unreal and unknown cities. Within these spaces, everything is continuously reinterpreted and transformed. Human time slows, giving way to light and silence, while the work reflects on the paradox of a society that is increasingly connected yet deeply divided. Through compositional tensions, perspective shifts, and dense graphic textures, the prints invite the viewer into a contemplative journey: an exploration of hidden worlds, silent enigmas, and the fragile search for awareness and connection within a shared human experience.
£400 (As exhibited.)
£400
(Unframed print.)
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by michela mascarucci
Zinc, two plates 50x66 cm. Tecniques: Etching, aquatint, lithofin. Hahnemuhle Paper 300 gr 70x100
h: 50 w: 66 d: 1 (cms).
“The Ship of Poisons” exists in a space suspended between memory and vision. Inspired by the case of ships carrying nuclear waste sunk in the Mediterranean, the work does not represent reality directly, but transforms it into an interior geography where the etched mark, through etching and aquatint, becomes corroded matter, wound, and trace of resurfacing time. The ship turns into a mental architecture, both wreck and navigable space: an unstable presence built through perspectival tensions and a fragile balance of light and shadow. In this environment, devoid of human figures yet marked by their absence, an uneasy and suspended dimension emerges, where what has been hidden returns as vision. The viewer is invited to remain within this ambiguous structure, attracted and repelled at once, as before an enigma. Reality dissolves, and through the dense texture of marks one glimpses what persists beneath the surface.
£600 (As exhibited.)
£600
(Unframed print.)
Please Note: If you are overseas and interested in a purchase, please note that there will be additional costs for postage and packaging added to this price. Feel free to enquire about this using the button below.